LEADS
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
    May 2008
   
May 05, 2008
From the Personal to the Subjective
Gallery Espace will be presenting a landmark show by the artist E.H. Pushkin , one of the founding members of the Radical Painters and Sculptures Association of the late 1980s from May 13 to June 7, 2008. This is the first significant Delhi show by the artist and will feature 15 key works executed between 2007 and 2008 and never previously shown. Eminent art critic R. Nandakumar , in his catalogue essay, writes about Pushkin's recent works.
 
    April 2008
   
April 05, 2008
Oiled Dubai Art
Launched in 2007 as the DIFC Gulf Art Fair, this year, the fair for contemporary art in Dubai took place for the second time. Art Dubai hosted around 70 galleries from the Asia, North and South America, North Africa, Europe, Australia and Middle East . Eminent art writer and curator Sushma Bahl attended the fair which was held between March 19 to 22, 2008. A report.
 
    MARCH 2008
   
March 20, 2008
Paresh Maity's 50th Adventure
Art Alive Gallery , New Delhi , will be presenting the inimitable palette of Paresh Maity – this time, the canvas is Kerala. Drawings, watercolours, oils ans mixed-media form part of Paresh's enchanting 50 th solo show accompanied with a book – An Enchanting Journey – Paresh Maity's Kerala . Paresh visited Kerala in 2007 on the invitation of Kerala Tourism Department to do his own visual interpretation of god's own country. He was accompanied by the well-known photographer Nemai Ghosh who captured the artist at work at various locations in Kerala.
 
March 05, 2008
ECA Auction – A Turning Point in the History of Indian Art!
On February 23, 2008, as the final hammer came down on the much-anticipated debut Indian Modern & Contemporary Art auction from Emami Chisel Art , one can safely say that there were no disappointments. One may also add that for over 200 art lovers and aficionados who thronged ECA's auction premises at Kolkata's Emami Towers to witness history in the making, it was an evening well worth the wait. Sarmistha Maiti talks to the brain behind the auction Vikram Bachhawat
 
    FEBRUARY 2008
   
February 05, 2008
RPG Academy of Art & Music presents its most ambitious exhibition till date....
Mumbai city is likely to experience a stunning, spatial experience at the Jehangir Art Gallery on February 8, 2008, as RPG Enterprises' opens with A MAZ ING, billed as art connoisseur Harsh Goenka's most innovative offering to the city as yet.
 
    JANUARY 2008
January 05, 2008
Face to face with Bertrand Cheuvreux
Sarmistha Maiti in conversation with Bertrand Cheuvreux of Espace Cultural Ample, Barcelona during his recent visit to Kolkata.
 
    December 2007
   
December 05, 2007
Looking In/Looking Out
Palette Art Gallery, New Delhi is currently presenting a retrospective of Anupam Sud’s works of four decades (1960-2007) at the Lalit Kala Akademi, New Delhi. Dr Geeti Sen in her catalogue essay throws light in to the eminent print-makers works.
 
    November 2007
   
November 20, 2007
Distinguished Company Pictorial Dialogues by Nayanaa Kanodia
Art Alive Gallery, New Delhi, is currently exhibiting recent works by Nayanaa Kanodia at Jehangir Art Gallery, Mumbai. Eminent curator and writer Ranjit Hoskote in his catalogue essay writes about the artist's recent works...
 
November 05 , 2007
Agony and Ecstasy
Prof. K.G. Subramanyan expresses his viewpoints on art education in the Hebbar Memorial Lecture he delivered at Bengaluru on March 17, 2007.
 
    October 2007
   
October 05 , 2007
Has Art to be Taught ?
Prof. K.G. Subramanyan expresses his viewpoints on art education in the Hebbar Memorial Lecture he delivered at Bengaluru on March 17, 2007.
 
    September 2007
   
Sept 05 , 2007
Rusholme Project Brings Art To Manchester's Curry Mile
Gleaming cookery utensils and abstract patterns capture the eye of visitors to Manchester's ‘Curry Mile' as part of a duo of art installations entitled The Rusholme Project.
Poppy Bowers reports…
 
    August 2007
   
August 05 , 2007
You Shall Remain Hidden…
Gallery Espace , New Delhi, will be showcasing You Shall Remain Hidden… , selected works on paper from 1970 to 2007 by Amitava from August 17 - September 13, 2007. Well known columnist and author Madhu Jain talks to the artist about his works spanning over three decades.
 
    June 2007
   
June 20 , 2007
History...Hysteria...Schizophrenia...
Partha Chatterjee reflects his thoughts on the recent incident of hooliganism in Baroda
    May 2007
   
May 5, 2007
Mapping the Invisible River: Contemporary Art in Goa
Ranjit Hoskote, in his curatorial note to the group show Aparanta, discusses the major issues that it addresses and redresses.
 
May 5, 2007
How the Goan Lost His Art
Vivek Menezes examines why the story of Goan art is intertwined with a strong streak of sheer cussedness.
 
May 5, 2007

A Festival of Artistic Synergy.
Sanjit Rodrigues traces how an artist camp formed the core of Aparanta, a major exhibition in Goa’s art history.

    April 2007
   
April 5, 2007
Art and the Matter of Identity
In today’s world art is becoming more of a commodity and less of a communication, says
K. G. Subramanyan, delivering the 4th Ravishanker Raval Memorial Lecture at Gujarati Sahitya Parishad, Ahmedabad on February 24, 2007
 
    March 2007
   
March 20, 2007
Rethinking Field Notes… Attempts Towards a Cross Representation
Rahul Bhattacharya's field notes from the Ramkinker Baij Centenary Seminar, Part II
 
March 5, 2007
Field notes from the Ramkinker Baij Centenary Seminar:
Thematics: Aspects of Modernity/ Public Nature of Art Practices
 

March 5, 2007

“It would open many avenues for people to reassess the works we generally accept without questioning”.
Second part of Jayaram Poduval’s conversation with Gulammohammed Sheikh about his involvement as one of the curators of Benodebehari Centenary Retrospective, at the National Gallery of Modern Art, New Delhi.

    February 2007
Feb 20, 2007
No Longer Swaying Between Exhilaration And Lament.
Rahul Bhattacharya revisits the Benodebehari Mukherjee Retrospective Show, comes back burying older laments and with a fresh set of questions.
 
Feb 20, 2007
Light Room Intermittent°
Dhanya Pilo takes a round through Techfest 2007, which brought a spectacular artistic celebration of technology and science, at IIT Mumbai during January 26 - 28, 2007.
 

Feb 5, 2007

“It was a kind of discovery for us”
Jayaram Poduval in conversation with Gulammohammed Sheikh about his involvement as the curator of Benodebehari Centenary Retrospective, which is on at the National Gallery of Modern Art, New Delhi till February 11, 2007.

 

Feb 5, 2007
 
    January 2007

Jan 15, 2007

Tryst with Peace
Buddha Enlightened, an international art project for world peace, which took place in Bodhgaya, is one of the biggest site-specific projects, which India has seen in recent years. From October 20 to November 30, 2006 more than 30 artists from the Netherlands, Surinam, Israel, France, UK, Canada, Japan along with Indian artists attended and created art works ranging from paintings to sculptures, installations and films for this peace project. Sanjeev Sinha, the director of this project, shares his vision and experiences with Jayaram Poduval and Anoop Kamath at his residence in Delhi. Excerpts:

 

Jan 01, 2007

Probing a Bizzare World
Oindrilla Maity recalls Sukumar Roy’s countless composite animals and characters, with their most unprecedented oddities and idiosyncratic manners 

 

Jan 01, 2007

Deconstructed Categories
The famed Nandan Mela at Santiniketan this year saw a brash merger of the commercial and the professional, leaving one curious about where the essence had disappeared: reads Rahul Bhattacharya  

    December
Dec. 15, 2006

The Return of the Centre Left and the Politics of Desire
Edge of Desire claims to be the first serious stocktaking of the country’s contemporary cultural heritage. But Rahul Bhattacharya finds that the show’s claims towards heterogeneity of the Indian culture seem to have been lost in an articulation of political concerns.

    November
Nov. 15, 2006

Re-Conceptualising Public Art
Re-Conceptualising Public Art is the second part of the two part series titled Towards Public Art. by Rahul Bhattacharya. It aims at problematising the manner in which the concept and practice of public art is understood and operated upon. The first part of this series -titled De Conceptualising Public Art - was featured in the November 1st upload.

 

Nov. 1, 2006

De-Conceptualising Public Art
De-Conceptualising the Process is the first of a two-part series by Rahul Bhattacharya titled Towards Public Art. It aims at problematising the manner in which the concept and practice of public art is understood and operated upon.

 

Nov. 1, 2006

Anish Kapoor Rocks NY with Sky Mirror
The three stories high stainless steel sculpture attracts thousands of art lovers .

 

Nov. 1, 2006
Case Study: CowParade
CowParade has captured the hearts and imaginations of millions of people around the world over the past four years, bringing art out of Museum and onto the streets.
    October
Oct. 15, 2006

Tribute
Rahul Bhattacharya pays a tribute to Somnath Hore, One of the most powerful printmakers and sculptors of contemporary India

 

Oct. 1, 2006

New Media Art: Why it is Art!
Paddy Johnson finds out how new media art creates a tangible experience of collective consciousness, of largely inconsequential moments that collectively create something larger, and how user experience makes a significant difference to one’s understanding of the medium

 

Oct. 1, 2006
 

Oct. 1, 2006
Art that Speaks for Itself
Lisbon-based artist Vvoi writes about the pros and cons of conceptual work, the commentary within an artwork put subtly by an artist, or imposed by the curator or one that is simply there
    September
Sep. 1, 2006

Mixing Business with Passion
Sakshi Juneja meets Mumbai-based art connoisseur Ashish Balram Nagpal and discusses various issues pertaining to art market and investment. She interrogates isssues like, the reasons for media’s interest in contemporary art, acceptance of Indian artists globally, the risks and benefits contemporary art has to offer–business wise, and probes him on new up-coming Indian artists. Sakshi met Ashish at his gallery in Juhu. Excerpts:

 

Sep. 1, 2006
Re thinking Criticism: Professionalism and Laments
Rahul Bhattacharya explores the proposal for the Delhi Bienniale , through revisiting ‘De-centralising Art in a Polycentric World, ‘Critics are Bastards’ and ‘Politics of Curating’’
    August
Aug. 15, 2006

De-centralising Art: in a Polycentric World
Rahul Bhattacharya attends First Venice, then...Biennials in a polycentric Art world, by Robert Storr, at the School of Art and Aesthetics, Jawaharlal Nehru University and comes back with a few questions .

 

Aug. 15, 2006
Closet Epistemology and Art
Shivaji K Panikkar reads into Ramesh Pithiya’s paintings through the ‘trouble of the closet’
 

Aug. 15, 2006
Lost synergy between curatorial practice and Art management
Noted Art consultant, writer and curator of cultural projects Sushma Bahl speaks to Johny ML about Art management and curatorial practice in India.
 

Aug. 1, 2006
Who Elevates Who?
Rajeev Sethi, the Art impresario and organiser of international cultural events, speaks to JohnyML about how India has lost out in the global cultural scenario thanks to institutional apathy.
 
Aug. 1, 2006
Public bodies must eye contemporary Art positively
Noted Artist Arpana Caur tells JohnyML that the public institutions in India are apathetic to the cultural value of contemporary Artists.
    July
July. 15, 2006

Circles of Reason
Johny ML looks at five watercolours by the noted young Artist, NS Harsha, and lets his imagination wander.

 
July. 15, 2006
Curated Shows are Group Shows in Disguise
Alka Raghuvanshi, the first Indian curator to study curatorial practice at the Goldsmiths College, University of London, argues that curatorial practice cannot be exclusivist.
 
July. 15, 2006
Politics of Curating
Uma Nair scans through the ‘curated’ shows that happened during 2005-06 and opines that curatorial practice has become a field of power politics
 
July. 1, 2006
‘I am Celebrating Liberation’- Heeral Trivedi
Just before her solo show at the Guild Gallery in Mumbai, Baroda-based Artist Heeral Trivedi spoke to Johny ML about her ideological positioning in the general discourse of feminism.
 
July. 1, 2006
Who is afraid of Virginia Woolf?
Mrinal Kulkarni scans through the Indian contemporary Art historic discourse on feminist Art and wonders why Indian women Artists resist being called ‘feminist Artists’
    June
June. 15, 2006
Big City Blues: The works of Jagannath Panda
Johny ML looks at the recent works of Jagannath Panda and makes a virtual journey towards finding the core of the Artist.
 
June. 15, 2006
A Curious Oscilloscope
Noted journalist and art educationist AV Varghese previews the works of the young artist-writer, Abhishek Hazra.
 
June. 1, 2006
Interrogating the ‘Exhilarating’
Rahul Bhattacharya attempts a ‘theoretical take’ on the Peers, the KHOJ residency programme.
 
June. 1, 2006
Stuck in the middle, between Art and Articulation
Johny ML visits five fresh graduates from illustrious art college in India at the Khoj Residency Programme
 
June. 1, 2006
Looking back to ‘Real 2006’
Johny ML looks at the works presented in Real 2006, the launch show of www.mattersofart.com,
 
June. 1, 2006
When Curating creates credibilty
Uma Nair visits Real 2006 and observes that the thematic variation is skilfully juxtaposed in the show by a dexterous curatorial mind
 
June. 1, 2006
Driven by the love for Art: Anoop Skaria and Dorrie Younger
Anoop Skaria and Dorrie Younger, the initiators of the Kashi Art Gallery recount their experiences as Art promoters in an interview with JohnyML, editor www.mattersofart.com.
    May
May. 15, 2006
BB4: Of Mice, Men and Residual Grimness
Noted Art historian and critic Anshuman Das Gupta looks at the curatorial specialities of Berlin Biennale, BB4 and extensively reports on it from Berlin and Santiniketan.
 
May. 15, 2006
Faith Accompli: Works that transcend mere silence
Riyas Komu speaks to Johny ML about his new set of works exhibited in Sakshi Gallery, Mumbai.
 
May. 15, 2006
Upcoming Art and market prerogatives
Jayashree Venkatadurai reports on the final year students’ exhibition in Faculty of Fine Arts, MSU, Baroda
 
May. 15, 2006
The dilemma of the critic
Johny ML writes two reviews on the same exhibition and says that a work of art does not have permanent truth value and the critical authority of the viewer/critic can only bring forth such value.
 
May. 15, 2006
Caught in the Political Storm
Todd LaRiche writes about the informal performance done by the Delhi-based Iraqi exile artist Hassan Al-Saidi and argues that his performance is loaded with political comments and the pangs of a man who has lost his land to political intrigue
 
May. 15, 2006
When Brush-men turn Lens-men
Rahul Bhattacharya reports on the recently concluded Dilli Dur Ast, A lens-based artist camp in the walled city of Delhi.
 
May. 15, 2006
Sakshi: witnessing contemporary Indian Art
Geetha Mehra, the director of Sakshi Gallery, Mumbai, in a candid interview with www.mattersofart.com talks about her experieces as a gallerist.
 
May. 15, 2006
‘Blame it on me’: Bose Krishnamachari
Bose Krishnamachari opens his mind to www.mattersofart.com on the post Double-Endersscenario in Indian Art.
 
May. 15, 2006
Oops: I fall on a bed of words and bleed
Johny ML reads through an introductory piece in a catalogue written by Rajashree Biswal and finds that instead of mediating the meaning, she goes on a narcissistic trip and plays with undigested ideas and jargon.
 
May. 1, 2006
Back to Abstraction
Mrinal Kulkarni takes a quick look at the history of abstraction in Modern Indian Art and argues that in the return of abstraction in the contemporary Art scene, the amalgamation of ideology and style is yet to happen.
 
May. 1, 2006
Art has always been abstract: V. Viswanathan.
Paris-based painter V Viswanathan has been consistently working on abstract paintings.
 
May. 1, 2006
Home is only an idea: Zarina Hashmi
“Form is just a simple thing and ideas are what matters.”
 
May. 1, 2006
Guided by the Process
“Deeply fascinated by mathematical precisions and loss of physics, Sunil’s works explore multi-dimensional possibilities of art.
 
May. 1, 2006
Revealing Symphonies
I always avoid speaking about my works. Somehow I feel that my works themselves speak a lot.
 
May. 1, 2006
Two Spiky Subjectivities: Identity, Art-making and Left Politics
Shivaji K Panikkar searches the Artistic identity and politics in the works of Bhupen Khakkar and K.P. Krishnakumar
 
May. 1, 2006
Reporting Via Mumbai
Anshuman Dasgupta reports extensively on the recently concluded MPCVA seminar -multiple cultures in a globalising world.
 
May. 1, 2006
Via Mumbai - An apology for singuniversal
Thierry de Duve , in an exclusive interview given to www.mattersofart.com, shares his experiences in the MPCVA seminar.
    APRIL
April. 15, 2006
NewClearAge
Valsan Koorma Kolleri turns disused industrial space into a living space for sculpture. Bronze, beads, iron, air, Valsan’s materials vary from work to work. But he has something to tell the world through these.
 
April. 15, 2006
“New Art History”: Interrogating Indian Art Historical Practice
Santhosh Kumar Sakhinala and Aparna Roy report on the seminar conducted at the Fine Arts Faculty, MS. University, Baroda during February 9-11, 2006.
 
April. 1, 2006
No Double Meanings Here
Johny ML counters the arguments of Abhijeet Tamhane who indirectly places the Double Enders exhibition in the 'regional, linguistic category'.
 
April. 1, 2006
I was a happy workaholic- Jitish Kallat.
First of its kind, in a exclusive interview with www.mattersofart.com noted Artist Jitish Kallat opens his mind-about galleries, friends and the works that navigate the world.
    MARCH
March. 15, 2006
Drawing Dialogues
After 15 years, Vivan Sundaram is back. Drawing is self-reflexive, he says, of his new medium in an interview with Johny ML, editor, www.mattersofart.com.
 
March. 15, 2006
MOA DEBATE: Fundamentalists strike again on Indian contemporary Art.
www.mattersofart.com starts a debate on the issue of fundamentalists asking for the head and hands of M.F.Husain.
 
March. 1, 2006
Osian’s Targets a New Market- Neville Tuli comes back with another auction
Neville Tuli has more surprises this time. Masterpiece Senses promises to deliver a lot.
    FEBURARY
Feburary. 15, 2006
The Great Indian Art Boom :
Indian Contemporary Art in 2005
 
February. 15, 2006
There is Hope for Everyone
Google.com, the pretty jovial search engine is the darling of web surfers. Type the name `Gopikrishna’ and you may get a few sites that lead you to Kundalini masters to moviemakers.
 
February. 1, 2006
The Buoyancies of Flesh blessed with Grace: Reflections on
K.S. Radhakrishnan's Freehold

Eminent writer an art historian Ranjit Hoskote visits K.S. Radhakrishnan's studio in Delhi before his show Freehold presented by Art Musings.
 
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